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The Godfather
Crime, Drama, Thriller
IMDB rating:
Francis Ford Coppola
Marlon Brando as Vito Corleone
Al Pacino as Don Michael Corleone
James Caan as Santino 'Sonny' Corleone
Richard S. Castellano as Young Peter Clemenza
Robert Duvall as Tom Hagen
Sterling Hayden as Capt. McCluskey
John Marley as Jack Woltz
Richard Conte as Don Emilio Barzini
Al Lettieri as Virgil 'The Turk' Sollozzo
Diane Keaton as Kay Adams Michelson
Abe Vigoda as Sal Tessio
Talia Shire as Connie Corleone Rizzi
Gianni Russo as Carlo Rizzi
John Cazale as Fredo Corleone
Storyline: When the aging head of a famous crime family decides to transfer his position to one of his subalterns, a series of unfortunate events start happening to the family, and a war begins between all the well-known families leading to insolence, deportation, murder and revenge, and ends with the favorable successor being finally chosen.
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The Greatest Cast For A Movie Ever.
SPOILERS for the film lie ahead! Read at your own risk.

Regarded as one of the greatest movies of all time. "The Godfather" is a beloved classic about organised crime, and the Sicilian lifestyles in America. Of course the movie is about the building of a dynasty, a business built on death, murder and betrayal that goes on to run itself on favours and illegal pleasures. However, in this story we see the life of Don Vito Corleone (Played to a tee by the magnificent Marlon Brando), giving favours on his daughter's Wedding day. Here we see a loving, caring man who is both equally loved and feared. So far in the movie, it has had fair tension and introduced us to the family. Then all of a sudden a film-maker awakens to find his prized race horse's head under his bed sheets, and suddenly the tensions of this movie rises considerably.

After many hits later, as well as an attempted assassination on Don Corleone. We cut to Michael Corleone (Played superbly by Al Pacino), the youngest son in the Corleone family, who resents the family business. Until a bloody act of revenge, unwittingly consumes him mentally beyond the return of normality. We then cut to Michael's new life as well as Vito recuperating. Vito expresses great upset that this fate has befallen Michael, as he never wanted him to get involved with the family business. Michael has now become a shell of his former joyful self, yet he has built a "happy" life for himself whilst in hiding.

In the meantime. A montage of hits is carried out by all of the five families, which ultimately ends up bringing more tragedy to the Corleone family. Eventually it finally leads to a cause of action, in which Vito ensures the protection of every family within the Mafioso (An interesting note that the word "Mafia", is never uttered in the movie). At the same time, Michael has returned and is now the "Don" of the Corleone family, and is allowing the five families to run the Corleone's resources dry. After Vito sadly passes away, Michael then begins his plan as he has all other heads of the five families brutally murdered (While attending a Christening no less). Ensuring his place as the strongest "Don" to the remaining families, as a door swings closed to his now realising wife.

Something of a Masterpiece when the film came out back in 1972. "The Godfather". has only gotten better of age. There are so many iconic quotes and moments in the movie, and the cast is just seriously one of the best ever put to film. James Caan I hardly recognised, and Robert Duvall was just as brilliant as always. But obviously the biggest argument is, was this movie Brando's or Pachino's? Personally, I thought Brando was just incredible as always, and totally deserved the Oscar he turned down. Both nevertheless are unforgettable on screen.

The pacing was impeccable, as well as the locations that are all shot beautifully. Some part of me does feel that the film is a bit too long, however a lot does happen and instantly captivates you enough to check out the sequels. The music was fantastic, helping bring the era and authenticity out of the picture and into the deepest parts of my brain. I could listen to the "Love theme" all day. As said earlier, the movie is about the dynasty of the family, the business of the family and the vengeance of the family. So many themes are present and so much more are explored. Every gangster film ever made owes something to Francis Ford Coppola's efforts.

Final Verdict: Probably the first modern gangster epic ever made. As director Stanley Kubrick said: "Probably the finest cast ever assembled". 10/10.
The few "perfect" films to ever been released are so perfect in every aspect that each scene almost feels like a masterpiece on its own. In the case of Coppola's revolutionary The Godfather, this statement holds especially true. Phenomenal and sheer brilliance in every aspect that cannot be matched by modern "cinema", Coppola's The Godfather is cinematic perfection in every aspect of filmmaking. From performances delivered by an astounding ensemble cast, to Nina Rota's breathtakingly soaring and epic musical score to Coppola's very direction, The Godfather should essentially be viewed as a three hour masterclass on filmmaking for any aspiring filmmakers. So perfect in every aspect and so free of flaws, no film since its time has matched even half the brilliance of The Godfather.
One Can See Why It's So Highly-Rated
Some people have called this one of the best movies of all time. I can see why they say that, although I wouldn't quite rate it that high. It does feature an interesting storyline, great acting and magnificent photography so I am not going to argue with those who place in so high, because it's understandable. It also has a memorable score.

One needs to see this on a nice widescreen DVD because it's so beautifully photographed with tons of greens, grays and browns that are just beautiful. It makes me want to visit Italy. The only reason I personally didn't rate it as high as others was I didn't like any of the characters, and especially the hot-headed James Caan. When he got riddled with bullets and was done with, a la "Bonnie & Clyde," that was fine with me!

There isn't as much violence as people might think, if they've never seen this movie. To some, this film might be too slow, in fact. However, when the violence or something dramatic occurs it is intense and can be very brutal. Who can ever forget a guy waking up with a dead, bloody horse in his bed?!!

Like a good film noir, there is a lot of tension running throughout the Godfather films. Everybody is after somebody it seems and you never know whom to trust. That's part of the downsides of living a criminal life: constant paranoia. All this is put together nicely as we become close observers of the Corleone family, its family ties and its "business."

Marlon Brando, Al Pacino, Robert Duvall, Caan, Robert DeNiro (later in the saga), Talia Shire, Diane Keaton, Sterling Hayden, Richard Conte, John Cazale, Richard Castellano, on and on - quite a cast and quite a movie. I enjoyed both sequels, too.

I am also fortunate to own "The Godfather Epic" on tape, which must be some sort of collector's item by now. It is three two-hour tapes in which Godfather I and II are sliced together and the story is presented in chronological order, instead of with all the flashbacks. It's well-done and I would have printed a review on that version, but I don't see it listed on IMDb.
Very Average Film. Very Overrated
Marlon Brando's acting as the Godfather is sublime and this film is worth watching for that.

However I did find the film very long-winded and at times boring. I liked the slow progression of the storyline and understand why Francis Ford Coppola did the film in the way he did. It's just that I felt the film was lacking something. It could have done with a bit more excitement or suspense to make the film more gripping.

Lets just say I watched this film about a year ago and I still haven't seen The Godfather 2, and I am in no hurry to either.

7/10. Average film. Worth watching to say that you have seen it.
Let me begin with just one word.. Masterpiece.
The Godfather is not just a crime film, it's much more deeper than that. It's about loyalty, respect and more than anything, it's about family and real life. The casting in this movie is flawless. Marlon Brando as the Godfather is a perfect casting choice. He brings his unique style to his character and makes him alive. He's not just acting his role, he's living it, at least that's what it feels like. He truly deserves his Best Actor Oscar. Every scene where he is in and every line he says is emotionally touching and breathtaking, and it's not just because of his acting, but it's also because of the film's magnificent writing and directing. The storyline is outstanding. It's based on a novel written by Mario Puzo. Francis Ford Coppola did an amazing job with bringing his story to the screen. He really gave us the best film of all time. Brando wasn't the only one who did a wonderful job with his character, because even though Vito Corleone was the key element of the movie, the movie was still mostly about his son, Michael Corleone, played by Al Pacino. You can really see his character develop during the movie, and you can feel the respect that his character has toward his father. There's a real connection between those two, even though they have a small number of scenes together. Besides Marlon Brando and Al Pacino, there were other supporting roles that were amazing as well, like James Caan as Sonny Corleone, Robert Duvall as Tom Hagen and of course the beautiful Diana Keaton as Kay Adams. This movie has everything. Good acting, directing, writing, cinematography and of course memorable and recognizable music by Nino Rota. In my opinion, there is only one misstep in this film, and that is the lighting in the wedding scene in the beginning of the movie. I can honestly say that this is my favorite movie and if you haven't seen it yet, you should watch it as soon as possible! 10/10 Excellent!

(These are just my quick thoughts about this movie)
What is there to say?
Does it even need to be said that The Godfather is an amazing film? Is there really any purpose at all in pointing out all the things which make it so wonderful? Everybody knows. Everybody will always know. This is a film which will live forever. The story, the performances, the cinematography, the music...all so perfect. And all woven together so wonderfully by director Francis Ford Coppola who created a true classic.

There are so very many good reasons why this film will always be remembered so fondly. No matter how many times you see it the film never fails to make an impact. Even if you've seen the film so often you essentially have it memorized line for line and shot for shot it remains a thrilling experience. From the famous opening scene with Marlon Brando's Don Vito Corleone receiving requests for favors on the occasion of his daughter's wedding all the way to the end and the final settling of all family business the film never lets up. It's an undeniably powerful story and one which retains the capacity to surprise. Because initially it seems obvious that the story is about Don Vito Corleone. He is the Godfather after all. But, for as powerful a presence as Brando is, as the story plays itself out there comes the moment where you realize this is the story of Don Vito's son Michael, as played so wonderfully by Al Pacino. When Michael comes into his own the film, gripping from the start, becomes even more compelling. Has any character in any film evolved more than Michael Corleone does here? The Michael we meet at his sister's wedding bears no resemblance to the man we see in the end. And what a performance by Pacino, changing along with his character. What a journey it is for Michael as his story unfolds. And it is quite a ride as well for us who have the privilege of seeing it.

Brando and Pacino are the headliners but they are wonderfully supported by an amazing cast which includes the likes of James Caan, Robert Duvall, Diane Keaton and Al Lettieri. And that is just scratching the surface. There are so many memorable characters. And what a world Coppola has created for these characters to inhabit. The film has a unique look and feel to it. The world of The Godfather is quite unlike any other, often imitated but never duplicated. It's a triumph in every sense for Coppola. But perhaps his biggest success is in making you sympathize with the Corleones. We know right from the start that Don Vito Corleone is a man capable of doing monstrous things. But we identify with him anyway. And one cannot help but feel for Michael as he is inexorably pulled into the family business.

Everyone has their favorite Godfather characters, favorite moments, favorite lines. The film has become a cultural touchstone. And as it continues to be discovered by new generations it seems that the film, if possible, actually continues to grow in stature. It is a classic film which stands the test of time. The Godfather has earned its place of honor in the history of film. A true masterpiece.
The Pioneer of All Filmmaking
The Godfather is one of the most iconic films in cinema history. There are three points in the film that made it stand alone: direction, acting, and writing.

The direction of this film was great! Frances Fran Coppela really knows how to make a great film. Like Steven Spilberg, Peter Jackson, James Cameron, and so many others, he as list himself as one of the most greatest directors in Hollywood. He's my role model.

The acting was terrible, just kidding! :) The Acting was amazing. Marlon Brando carries the anchor of this movie, but Al Pacino holds it carefully. The cast of this movie was a good example of cast chemistry. Great Cast!

The Writing was awesome. Coppela knows what he is doing when he is writing a script to a major blockbuster hit. That's why he's my role model.

The Godfather is one my favorite films of all time. I would recommend you see this movie. It's awesome.
Legend İn The World
he Godfather (1972) did for gangster movies what 2001: A Space Odyssey did for science fiction. Like Stanley Kubrick, Francis Ford Coppola re-energized and, to a degree, reinvented a basic Hollywood pulp fiction action-entertainment genre, using it as a vehicle for the high artistic ambitions of a post-New Wave film "auteur."

Within his narrower focus on 20th century American civilization (as opposed to Kubrick's philosophical speculations on human evolution), Coppola shapes the story of the Corleone Mafia family into an epic/satiric vision of American business, government, justice, and moral decline. The Godfather's brilliantly constructed opening sequence, the wedding of Don Corleone's daughter, not only establishes the Don's character, the nature of his organization, the role of family and Sicilian tradition in his world, and the character of his sons (three natural and one adopted), but also establishes the relationship between the Don's world and "legitimate" society. For instance, the film's opening words are those of Bonasera, a petitioner for a wedding "favor," whose voice over a dark screen first asserts the American Dream, "I believe in America. America has made my fortune," and then turns to disillusioned contradiction: "for justice, we must go to Don Corleone."

Numerous subsequent lines of dialog establish literal or metaphorical connections between the criminal underworld and social institutions. Some of the most memorable ones include: "My father is no different than any powerful man, any man with power, like a president or senator.""Now we have the unions, we have the gambling; and they're the best things to have. But narcotics is a thing of the future. And if we don't get a piece of that action, we risk everything we have. I mean not now, but ten years from now." "It's not personal, Sonny. It's strictly business." And most famously of all: "I'm gonna make him an offer he can't refuse."

The film's title refers to two godfathers, the original Don Corleone and his youngest son - and ultimate successor - Michael. Marlon Brando's performance as Don Corleone, for which he was awarded a Best Actor Academy Award, balances the Don's subtly counter-pointed functions as beloved, grandfatherly patriarch and fearsome, brutal crime boss. Yet Michael, as the character most centrally and significantly affected by the film's plot and played with a brilliance equaling Brando's by a then unknown Al Pacino, is the principal protagonist.

At the wedding, Michael's centrality is signaled by the Don's frantic call, "Where's Michael? We are not taking the picture without Michael!" A World War II hero still in decorated uniform, Michael is meanwhile busy differentiating himself from his family to his girl friend and future second wife, Kay (Diane Keaton). "Luca Brasi held a gun to the band leader's head," he relates, "and my father assured him that either his signature or his brains would be on the release. That's my family Kay. It's not me." Michael's initial disinterest in Mafia activities is reinforced by his adoring father who envisions him as "Senator Corleone" or "Governor Corleone" not as his successor. That role is reserved for his hot-headed eldest son, Sonny (James Caan). But, of course, events conspire to suck Michael in - and to keep sucking him in right through Godfather III - the assassination attempt on his father, Michael's coolly murderous response, the car bomb meant for him that kills his first wife, the Sicilian beauty Apollonia (aptly named for the god of sun light), the riddled body of his brother Sonny. Inevitably, a morally darkened Michael emerges at the end of the film, one who outdoes his father in guile and ruthlessness and whose final brutal and deceitful acts in Godfather I seal his doom as a Macbeth-like villainous tragic hero.

Shot mainly on location in various New York City locales, The Godfather spans a ten- year post World War II period. A multitude of props, costumes, and pop culture artifacts arranged by the film's art director, Warren Clyner, and production designer, Dean Tavoularis, lend a rich sense of historical authenticity to the film's mise en scene. Moreover, the film's lighting by brilliant cinematographer Gordon ("prince of darkness") Willis, contributes greatly to both the film's realism and its thematic symbolism. Compare, for instance, the use of extremely dark, shadowy, color desaturated interior scenes – especially in the Don's home office – with the brightly lit, vivaciously colored outdoor wedding scene or the sun-drenched, romanticized Sicilian landscape.

The Godfather is edited in the classic Hollywood invisible style, subordinating technique to the needs of narrative and visual continuity. But the film is expertly edited nonetheless. In particular one might note the stunning use of multiple parallel editing that occurs in one of the film's last scenes: the assassination of the other crime family heads, elaborately planned to coincide with Michael's participation in the baptism of sister Connie's child. Likewise, The Godfather's soundtrack is a memorable combination of diegetic period music ("Have Yourself a Merry Little Christmas") and a lush, operatic original score composed by one of the greatest film music composers, Nino Rota (a frequent Fellini collaborator as in 8 1/2).

With The Godfather and its even more ambitious sequel, Coppola pushed the classic gangster film in the direction of high art and released it once and for all from the moralistic grip of the Hays Code, which arose in the 1930s in large part as a response to the romanticizing of criminals found in such early examples of the gangster genre as Scarface, Little Cesar, and Public Enemy. Not only did the code regulate the degree and nature of sexual and violent imagery in all films, but it also specifically required that criminals be portrayed as morally repulsive social deviants and that plots involving them be resolved with the implicit or explicit lesson that "crime did not pay." Fortunately for American popular culture The Godfather radically rewrote the rulebook and paved the way for a generation's-worth of gangster masterpieces ranging from the Scarface remake to Pulp Fiction to The Sopranos.
History is made with this movie
I cannot think of a single negative of the Godfather. It truly is a classic and will always be one of the greatest films ever made. I have seen it many times and recently purchased the movie so that I could watch it anytime that I want.

I love the score for this film and get goosebumps when I hear that opening trumpet begin to play. As the movie progresses I begin to feel a connection to the characters and become invested in their growth and story. As many times as I have seen this movie, I continue to have the same feelings. It is one of the movies that can never get old and will always be a masterpiece.

It will be a number of years before anything can come close to the magnitude of this film and it may never be contested.
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